(Pictured: Butler reading a book in 1975)
“In order to rise
From its own ashes
A phoenix
First
Must
Burn.”—Octavia Butler, Parable of the Talents
(Pictured: Butler reading a book in 1975)
“In order to rise
From its own ashes
A phoenix
First
Must
Burn.”—Octavia Butler, Parable of the Talents
(Source: grrrl-gear)
You bring out the Mexican in me.
The hunkered thick dark spiral.
The core of a heart howl.
The bitter bile.
The tequila lágrimas on Saturday all
through next weekend Sunday.
You are the one I’d let go the other loves for,
surrender my one-woman house.
Allow you red wine in bed,
even with my vintage lace linens.
Maybe. Maybe.
For you.
You bring out the Dolores del Río in me.
The Mexican spitfire in me.
The raw navajas, glint and passion in me.
The raise Cain and dance with the rooster-footed devil in me.
The spangled sequin in me.
The eagle and serpent in me.
The mariachi trumpets of the blood in me.
The Aztec love of war in me.
The fierce obsidian of the tongue in me.
The berrinchuda, bien-cabrona in me.
The Pandora’s curiosity in me.
The pre-Columbian death and destruction in me.
The rainforest disaster, nuclear threat in me.
The fear of fascists in me.
Yes, you do. Yes, you do.
You bring out the colonizer in me.
The holocaust of desire in me.
The Mexico City ‘85 earthquake in me.
The Popocatepetl/Ixtacchuatl in me.
The tidal wave of recession in me.
The Agustín Lara hopeless romantic in me.
The barbacoa taquitos on Sunday in me.
The cover the mirrors with cloth in me.
Sweet twin. My wicked other,
I am the memory that circles your bed nights,
that tugs you taut as moon tugs ocean.
I claim you all mine,
arrogant as Manifest Destiny.
I want to rattle and rent you in two.
I want to defile you and raise hell.
I want to pull out the kitchen knives,
dull and sharp, and whisk the air with crosses.
Me sacas lo mexicana en mi,
like it or not, honey.
You bring out the Uled-Nayl in me.
The stand-back-white-bitch-in me.
The switchblade in the boot in me.
The Acapulco cliff diver in me.
The Flecha Roja mountain disaster in me.
The dengue fever in me.
The ¡Alarma! murderess in me.
I could kill in the name of you and think
it worth it. Brandish a fork and terrorize rivals,
female and male, who loiter and look at you,
languid in you light. Oh,
I am evil. I am the filth goddess Tlazoltotl.
I am the swallower of sins.
The lust goddess without guilt.
The delicious debauchery. You bring out
the primordial exquisiteness in me.
The nasty obsession in me.
The corporal and venial sin in me.
The original transgression in me.
Red ocher. Yellow ocher. Indigo. Cochineal.
Pin. Copal. Sweetgrass. Myrrh.
All you saints, blessed and terrible,
Virgen de Guadalupe, diosa Coatlicue,
I invoke you.
Quiero ser tuya. Only yours. Only you.
Quiero amarte. Atarte. Amarrarte.
Love the way a Mexican woman loves. Let
me show you. Love the only way I know how.
OVERVIEW (by Planetary Collective)
“On the 40th anniversary of the famous ‘Blue Marble’ photograph taken of Earth from space, Planetary Collective presents a short film documenting astronauts’ life-changing stories of seeing the Earth from the outside – a perspective-altering experience often described as the Overview Effect.
The Overview Effect, first described by author Frank White in 1987, is an experience that transforms astronauts’ perspective of the planet and mankind’s place upon it. Common features of the experience are a feeling of awe for the planet, a profound understanding of the interconnection of all life, and a renewed sense of responsibility for taking care of the environment.
‘Overview’ is a short film that explores this phenomenon through interviews with five astronauts who have experienced the Overview Effect. The film also features insights from commentators and thinkers on the wider implications and importance of this understanding for society, and our relationship to the environment.”
Moon DanceBy [jondblake]
“Nationalism of one kind or another was the cause of most of the genocide of the twentieth century. Flags are bits of colored cloth that governments use first to shrink-wrap people’s minds and then as ceremonial shrouds to bury the dead.“— Arundhati Roy
Love love LOVE Arundhati Roy.
Keep doing something
First published in 1981, This Bridge Called My Back has been out of print since the expiration of its contract with Third Woman Press in 2008. Hopefully the digital copy will find its way to those who will circulate it and…
Read it for the first time in the mid-90s. Changed my life. For real.
(via jayaprada)